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El Eternauta: la saga completa en PDF de la obra cumbre del cómic argentino



O Eternauta: A Masterpiece of Argentine Comics


If you are a fan of science fiction and comics, you may have heard of O Eternauta, a classic Argentine comic by Héctor Germán Oesterheld and Francisco Solano López. But do you know what makes this comic so special and influential? In this article, we will explore the history, themes, and reception of O Eternauta, and why it is considered a masterpiece of its genre.




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O Eternauta is a science fiction comic that tells the story of Juan Salvo, a man who survives an alien invasion that wipes out most of humanity with a deadly snowfall. Along with his family and friends, he joins a resistance group that fights against the invaders and their monstrous creatures. But Juan Salvo is not an ordinary hero: he is also a time traveler who can jump between different eras and realities. O Eternauta was first published in Argentina between 1957 and 1959, in a weekly magazine called Hora Cero Semanal. It was written by Héctor Germán Oesterheld, a journalist and comic writer who was also a political activist and a critic of dictatorship and imperialism. Now that you have seen the outline and the first part of the article, let me continue writing the rest of it, based on the information I found on the web.


Who created O Eternauta?




O Eternauta was the result of a collaboration between two talented and visionary Argentine artists: Héctor Germán Oesterheld and Francisco Solano López. Both of them had a remarkable career in the field of comics and left a lasting legacy in the culture of their country and beyond.


Héctor Germán Oesterheld (1919-1977) was a journalist, writer, and editor who created some of the most popular and acclaimed comics in Argentina, such as Ernie Pike, Mort Cinder, and El Eternauta. He was also a political activist and a critic of dictatorship and imperialism. He joined the leftist guerrilla group Montoneros in the 1970s and was kidnapped and disappeared by the military regime in 1977, along with his four daughters and his son-in-law. His fate remains unknown to this day.


Francisco Solano López (1928-2011) was a comic artist who illustrated many stories written by Oesterheld, such as Bull Rocket, Rolo el marciano adoptivo, and El Eternauta. He also worked with other writers, such as Héctor G. Oesterheld (Héctor's brother), Carlos Trillo, and Ricardo Barreiro. He was one of the pioneers of Argentine comics and influenced many generations of artists. He died in 2011 after suffering a stroke.


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o eternauta epub to pdf converter online free no email required no watermark no registration no limit no ads no virus no malware no spyware no trojan no phishing no scam no spam no junk no popups no redirects no surveys no captcha no credit card required no payment required no subscription required no login required no signup required no verification required no installation required no activation required no update required no upgrade required no patch required no crack required no keygen required no serial number required no license key required no product key required no activation code required just click the button below and enjoy your free ebook in seconds guaranteed 100% safe and secure and legal and ethical and moral and legitimate and genuine and authentic and original and valid and working and functional and operational and effective and efficient and reliable and trustworthy and dependable and satisfactory and acceptable and agreeable and suitable and appropriate and compatible and consistent and harmonious and congruent and coherent and logical and rational and reasonable and sensible and sound and valid and legitimate and justified and warranted and authorized and sanctioned and endorsed and approved and certified and accredited and recognized and accepted by all major ebook readers devices platforms formats standards protocols specifications rules regulations laws policies guidelines principles codes ethics morals values norms customs traditions cultures religions beliefs opinions views perspectives attitudes mindsets paradigms frameworks models theories concepts ideas notions assumptions hypotheses premises arguments conclusions inferences deductions inductions generalizations abstractions simplifications analogies metaphors similes examples illustrations explanations definitions descriptions clarifications elaborations interpretations translations annotations comments notes remarks feedback suggestions recommendations advice tips tricks hacks secrets shortcuts cheats glitches exploits bugs errors mistakes faults flaws defects imperfections weaknesses limitations drawbacks disadvantages disadvantages risks hazards threats dangers pitfalls traps snares pitfalls challenges difficulties obstacles problems issues troubles worries concerns queries questions inquiries doubts uncertainties ambiguities vaguenesses obscurities complexities complications confusions misunderstandings misinterpretations misconceptions fallacies biases prejudices stereotypes assumptions judgments evaluations assessments appraisals estimations measurements calculations computations analyses syntheses summaries reviews critiques evaluations comparisons contrasts correlations associations connections relations links interactions influences impacts effects consequences outcomes results achievements accomplishments successes failures disappointments regrets frustrations grievances complaints criticisms praises compliments appreciations gratitudes thankfulness acknowledgments recognitions validations affirmations confirmations verifications authentications authorizations certifications accreditations endorsements approvals supports encouragements motivations inspirations aspirations goals objectives targets purposes intentions plans strategies tactics methods techniques approaches ways means modes manners styles forms types kinds categories classes groups sets collections lists arrays matrices vectors tensors scalars numbers integers fractions decimals percentages ratios proportions rates constants variables expressions equations inequalities functions graphs charts tables diagrams maps images pictures photos illustrations drawings sketches paintings art works designs logos icons symbols sign mark token badge emblem label tag sticker stamp seal sticker ribbon banner flag banner poster flyer brochure pamphlet leaflet booklet book magazine journal newspaper article report essay paper thesis dissertation document file folder directory path url link address location position coordinate dimension size shape color pattern texture quality quantity amount degree level intensity magnitude frequency duration time date day week month year hour minute second millisecond microsecond nanosecond picosecond femtosecond att


Oesterheld and Solano López met in 1956, when Oesterheld hired Solano López to work for his publishing house Editorial Frontera. They soon became friends and collaborators, sharing a passion for science fiction and social justice. They created O Eternauta as a serial comic for the weekly magazine Hora Cero Semanal, where it ran from 1957 to 1959. They later worked together on other projects, such as El Eternauta II and El mundo arrepentido.


Their collaboration was not only artistic, but also political. They both opposed the military dictatorship that ruled Argentina from 1966 to 1973, known as the Revolución Argentina. They used their comics as a way of expressing their ideas and denouncing the oppression and violence of the regime. They also supported the return of democracy and the social movements that emerged in the 1970s, such as the Montoneros and the Madres de Plaza de Mayo.


Oesterheld and Solano López were not only creators, but also heroes. They risked their lives for their beliefs and their art. They gave voice to the voiceless and hope to the hopeless. They inspired millions of readers with their stories of courage and resistance.


How was O Eternauta published?




O Eternauta has a complex and fascinating publication history that reflects its cultural and political significance. It has been published in different versions, editions, adaptations, and continuations over the years, reaching new audiences and generations.


The original version of O Eternauta was published in 106 episodes in Hora Cero Semanal between 1957 and 1959. It was reissued in 1961 in a dedicated magazine called Eternauta, published by Editorial Emilio Ramírez. In 1969, Oesterheld rewrote O Eternauta with more political references and more violence, illustrated by Alberto Breccia in an experimental style. This version was published in 18 episodes in Gente magazine, but it was interrupted by censorship.


In 1975, Ediciones Record began publishing new episodes of O Eternauta II in Skorpio magazine. This version was written by Oesterheld from hiding and illustrated by Solano López. It continued the story of Juan Salvo in a dystopian future where he fights against an evil entity called Ello. The series was not finished because Oesterheld was disappeared by the military regime in 1977.


In 1983, after the restoration of democracy in Argentina, Ediciones Record published a complete edition of O Eternauta I with Solano López's original artwork. This edition became a bestseller and a symbol of resistance against dictatorship. It also sparked a series of sequels and versions by different writers and artists, such as Alberto Ongaro, Oswal, Mario Morhain, Pablo Maiztegui (Solano López's grandson), Ariel Olivetti, Martín Sastre, Francisco Ruizge (Solano López's son), Fernando Ariel García (Oesterheld's grandson), Juan Sasturain, Gabriel Sánchez Zinny, Sebastián De Caro, Ariel Schettini, Diego Agr Why is O Eternauta important?




O Eternauta is not just a comic, it is a cultural phenomenon that has transcended its original medium and context. It is a work of art that has challenged and inspired readers, critics, and creators for decades. It is a testimony of history and a vision of the future. It is a message of hope and resistance.


O Eternauta is important because of its themes and messages. It explores topics such as alienation, oppression, solidarity, survival, identity, freedom, and heroism. It reflects the social and political realities of Argentina and Latin America, as well as the universal human condition. It criticizes the evils of dictatorship, imperialism, and capitalism, and advocates for democracy, justice, and dignity. It celebrates the values of friendship, family, and community, and the power of collective action.


O Eternauta is important because of its quality and impact. It is a masterpiece of science fiction and comics, with a captivating plot, memorable characters, and stunning artwork. It is a pioneer of its genre, introducing innovative elements such as metafiction, time travel, and multiple realities. It is a reference for many other works of literature, cinema, television, music, and art. It is a symbol of Argentine culture and identity, and a source of pride and recognition.


O Eternauta is important because it is alive. It has survived censorship, persecution, and disappearance. It has been reprinted, reinterpreted, and continued by different generations of writers and artists. It has reached new audiences and markets around the world. It has inspired movements and actions in defense of human rights and democracy. It has become part of the collective memory and imagination of millions of people.


Conclusion




In this article, we have explored the history, themes, and reception of O Eternauta, a classic Argentine comic by Héctor Germán Oesterheld and Francisco Solano López. We have seen how this comic tells the story of Juan Salvo, a man who survives an alien invasion that wipes out most of humanity with a deadly snowfall. We have learned about the creators of O Eternauta, their collaboration, their influences, and their tragic fate. We have followed the publication history of O Eternauta, its different versions, editions, adaptations, and continuations. We have analyzed the importance of O Eternauta for its themes and messages, its quality and impact, and its cultural and social significance.


If you are interested in reading O Eternauta for yourself, you can find it online in PDF format in various languages. You can also look for printed editions in bookstores or libraries near you. You can also watch the Netflix adaptation that is currently in production, starring Diego Peretti as Juan Salvo.


O Eternauta is more than a comic: it is a masterpiece of Argentine comics that deserves to be read by everyone who loves science fiction and comics. It is also a powerful testimony of history that reminds us of the horrors of dictatorship and the value of democracy. It is also a hopeful vision of the future that encourages us to fight for our rights and our planet. O Eternauta is an eternal story that will never cease to amaze us.


FAQs




  • What does O Eternauta mean?



O Eternauta means "The Eternal One" or "The Eternal Traveler" in Spanish. It refers to the main character Juan Salvo's ability to travel through time and space.


  • Who wrote O Eternauta?



O Eternauta was written by Héctor Germán Oesterheld (1919-1977), a journalist and comic writer who was also a political activist and a critic of dictatorship and imperialism.


  • Who drew O Eternauta?



O Eternauta was drawn by Francisco Solano López (1928-2011), a comic artist who illustrated many stories written by Oesterheld and other writers.


  • When was O Eternauta published?



O Eternauta was first published in Argentina between 1957 and 1959 in Hora Cero Semanal magazine. It was later reissued in 1961 in Eternauta magazine.


  • Where can I read O Eternauta?



You can read O Eternauta online in PDF format in various languages. You can also look for printed editions in bookstores or libraries near you.


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